The collection of  works entitled  “Madonnas. Women, Mothers, Goddesses.” - An art critic's perspective:

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"When creating, the artist makes use of the collage technique, a form of presenting at least two different realities on a single plane. She brings the Madonna from the sacred, down to the roles of a contemporary Madonna, recording portraits of a present-day woman by rendering her in combinations of elements taken from the profane sphere with those from the sacred sphere.

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Her works are characterised by a homogeneous flat background. She resigns from presenting perspective in favour of the two dimensional, recalling the art of antiquity but with a contemporary sensibility. She intertwines the poetics of composition with gold-coloured motifs, be it a motif of an aureole, face or clothing, the expressions of the gilding suit, the mystical sphere, the divine aspect of the female psyche, celebrating the ancients' reverence for the gold of the gods. And the modern:

cartoons, maps, musical notations, coloured magazines, weaved into the fabric of yesteryear; her language, contemplating the feminine, within the canon of the contemporary, while honouring the tradition of art's bejewelled history." -